Plot: What’s it about?
Inside the walls of this prison, the struggle for power is a constant, but not just on one side of the bars. Of course, the prisoners maneuver to gain power and survive within the harsh system. The inmates deal with each other, but also with the guards who keep them in line. If the brutality of other prisoners isn’t enough to drive these men to extremes, then the sadistic Captain Munsey (Hume Cronyn) and his crew will finish the task. At the same time, Munsey himself volleys to get control over the prison, both inside the walls outside, where bureaucrats decide what is allowable within. For one prisoner, Joe Collins (Burt Lancaster), the dream of escape is the only thing that keeps him alive. These dreams are just that however, as escape in Munsey’s prison is close to impossible, but the drive within Collins is immense. Even as others suggest more humane efforts, Munsey cracks down harder and harder on the inmates, using stool pigeons to extract information. As Collins and some other prisoners plot to make an escape attempt, will even the cruel Munsey be able to stop them?
In the world of prison films, few movies even come to the masterwork that is Brute Force. This is a prison film with a twist however, as this is also one of the greatest film noirs you’ll ever watch. The dark, grim realism found in Brute Force is incredible, matched by some grounded, memorable performances. Then again, with talent like Burt Lancaster, Hume Cronyn, and Yvonne De Carlo, and Charles Bickford involved, you know the performances will be excellent. Lancaster is superb in the lead, but is at his best when on screen with Cronyn, as the two play off each other quite well. The film’s atmosphere is classic film noir, dark and oppressive with little, if any kind of relief. The experience might not be a pleasant one, but it is a well crafted and impeccable motion picture. Dassin is able to work wonders here and create a film noir that ranks with the genre’s best. Brute Force was hard to track down on DVD for a while, but Criterion’s new version is sure to satisfy fans. The movie itself is a must see even for the most casual film buffs and of course, Criterion’s edition is the best choice to add to your collection.
Video: How does it look?
Brute Force is presented in full frame, as intended. This is another restored transfer from Criterion and it shows, as this sixty year old films looks quite impressive. This isn’t the kind of movie that has slick or refined visuals however, so don’t expect a crisp, sleek presence. But that is good news, as that means the movie has been cleaned up, but the original visual design remains intact. I know we sometimes think any grain is bad grain, but that isn’t always true. There isn’t much in the way of grain or debris, but the gritty look the film needs is still around. A movie doesn’t always have to be crystal clear and pristine, Brute Force is one such movie. So a great effort from Criterion, as usual.
Audio: How does it sound?
This disc uses a mono track, which seems to be adequate, given the audio needs of this material. This movie makes no real demands for dynamic audio, so the mono effort here never slips much, though it isn’t too impressive either. But it is clean and crisp, with minimal age related flaws, so I can’t complain too much in the end. The music sounds good and the dialogue is smooth, so I think this track will please most viewers, if not all of them. This disc also contains English subtitles, which are always nice to have on deck.
Supplements: What are the extras?
The most substantial extra is an audio commentary track, as film noir experts Alain Silver and James Ursini talk about the ins & outs of the movie. As expected, this is at times a session about film noir in general, but the duo does spend time on this film directly, as well as Jules Dassin’s resume. Not a lively track or one that keeps you glued to the television, but a solid one and there is some good information to be gleaned. This disc also includes an interview with Paul Mason, editor of Captured by the Media: Prison Discourse in Popular Culture, some still photos, and the film’s theatrical trailer.