Plot: What’s it about?
Nagamishi Toshiaki (Hiroshi Mikami) is a biologist involved in some important research, which covers the mitochondria found in humans. Although mitochondria have been overlooked by most researchers, Toshiaki feels there is more than meets the eye with the subject, which turns out to be the tragic truth. His life is soon thrown into a depressed chaos however, as his wife is killed in a car accident and he is left alone. But he decides to save some samples of his wife’s mitochondria, in a sad, but understandable drive to keep his wife alive, even if on such a small, seemingly insignificant level. His gesture seems harmless, but soon enough, the mitochondria begin to multiply and even overtake Toshiaki’s lab assistant. After only a short time, the mitochondria culture transforms into his late wife’s image and makes some shocking statements, including news of the potential end of the human race. It seems as though mitochondria aren’t just part of humans, but independent organisms and they’ve been waiting for the chance to escape, which has now arrived. If the mitochondria is allowed to exit the human bodies, then the end of the mankind is certain, but can Toshiaki manage to overcome the odds and discover a solution?
No, this isn’t the feature film edition of the once popular video game series, instead it is an offbeat, often disturbing Japanese sci/fi meets horror picture. I had wanted to see this one for some time, but it had always slipped my mind and now that I’ve seen it myself, I wish I would have taken the time sooner. The storyline is good and has flashes of Frankenstein intertwined, though it pushes that connection a shade much in some scenes. So yes, Parasite Eve does have a kind of a “Japanese Frankenstein” texture to it, but don’t expect a straight take on the classic tale, as that isn’t what you’ll find here. I think a lot of people might find this film to be confusing and on the surreal side, but that’s part of the appeal here, especially the visuals and more dreamlike moments. The direction is on the same tilt as a David Lynch, though the material is a little shaky at times, so it never reaches those higher levels of oddity or what not. It is hard to follow at times, but the science aspect is well presented and realistic, unlike what is seen in so many science driven films. The pace is slow and builds toward the finale well, but the lack of blood, guts, and action might deter some folks, so be warned in that regard. But in the end, Parasite Eve is a well crafted and worthwhile picture, so this release is more than recommended.
Video: How does it look?
Parasite Eve is presented in a 1.85:1 anamorphic widescreen transfer. This is an awesome visual effort that shines in every respect, which is excellent news, since the movie itself has some terrific visuals. The print has a few minor nicks, but looks pristine aside from those and to be honest, you might not even notice them. The colors are amazing here also, with vivid and rich hues throughout, with no signs of trouble, not even in the slightest. I found contrast to be equally as impressive, with accurate black levels and superb detail, nothing is ever buried in shadows or obscured here. You really couldn’t ask for a better treatment, as Parasite Eve looks clean, sharp, and damn near reference level at times.
Audio: How does it sound?
The original Japanese soundtrack is preserved here and English subtitles are also included, though they’re burned in, not optional ones. Aside from a few volume hiccups, this is a good mix and while the movie is no audio juggernaut, it supplies some nice potential. The surround channels are used to enhance the eerie mood and build atmosphere, to successful ends, as the audio is creepy and makes the experience more tense. Don’t expect a constant amount of surround presence, but this is an active mix, to be sure. The dialogue isn’t drown out however, as it is well integrated with the other elements.
Supplements: What are the extras?
This disc includes a promotional trailer for the film.
