Plot: What’s it about?
Porterhouse College has been known for its traditions for over five centuries, but unlike the traditions of most universities, these traditions aren’t ones to be proud. The school has been home to students who have ample finances, but minimal brains, a way for the rich, but dim to secure degrees. The staff of Porterhouse has no problem with what goes on within its hallowed halls, but when the school’s leader passes on, the winds of change could be en route. Unable to decide on a new master from their own ranks, one is assigned by the government, Sir Godber Evans (Ian Richardson). He went to Porterhouse himself, but detested what he saw and now, he plans to make some changes. But with so much resistance from all those around him, can he manage to turn Porterhouse around and begin some new, proud traditions?
I’ve seen a lot of British comedies of all kinds and without question, the genre isn’t for everyone. I find myself enthralled by some and bored to tears by others, or just plain confused by all the references and slang dialogue. So while I hoped Porterhouse Blue would have me in stitches, I knew there was always a chance I’d be lost in translation or fall asleep. As it turns out, the show is quite good and has some great moments. As you’d expect from a show based on Tom Sharpe’s material, the dialogue is sharp and we have some memorable characters. I wasn’t quite as impressed with the writing as I expected, but then I suppose a lot can be lost between the page and the screen. Even so, the show is solid entertainment and moves at a brisk pace, so the four episodes never linger long enough to drag on. I can’t recommend Porterhouse Blue as a blind investment, but it is worth a look and if you’re a fan of British comedy, you’ll want to check it out.
Video: How does it look?
Porterhouse Blue is presented in full frame, as intended. The transfer here is passable, solid in most instances, but never remarkable. The visuals come off as soft, so detail isn’t impressive, but this looks much like it would if you watched it on broadcast television. The image has good colors, if a touch faded and contrast is good, but again because of the softness, not always as stark as we would like. But given the material, which obviously didn’t put much focus into the visual design, I think this passable treatment will be good enough for most fans.
Audio: How does it sound?
This release has nice audio, but nothing that will blow you away by any means. The dialogue is the main focus here and I noticed no errors or inconsistencies. The other sound effects come through well, but lack any kind of depth or presence. So this does have a thin overall sound, but given the material, the audio is more than passable.
Supplements: What are the extras?
This release includes a biography of Tom Sharpe, as well as filmographies of prominent cast members.
