A Night at the Opera

January 28, 2012 8 Min Read

Review by: Matt Brighton

Plot: What’s it about?

There’s something very unsettling about the Marx Brothers and an Opera. Yes, indeed these four (now three) brothers have about as much place in an opera as a bull does in a china shop. The Marx Brothers, known as “Harpo”, “Zeppo”, “Chico” and “Groucho” were no longer a quartet, they were now without Zeppo and no one really seemed to mind. In their anarchic “Duck Soup” (the last with Zeppo), they scored a major critical and commercial hit in that it was one of the greatest anti-war movies ever made. This stands up today and is highly regarded as their best work as well as being one of the best and funniest movies ever made. Still, “A Night at the Opera” is not without its charm and with the new Marx Brothers Collection, we get to see it in all its glory. The Marx Brothers appeared in only fourteen movies and nearly every one of them is a classic. Few stand out above the rest, but most assuredly this is one of them. Groucho once again takes the lead as Otis B. Driftwood and his two brothers are along for the ride…

As the movie opens, we meet the major players of the movie. Groucho plays Otis B. Driftwood while Harpo (named as he played the harp) is once again the silent assistant to the jerk movie star. He somehow wins the heart of the beautiful Rosa Castaldi (Kitty Carlisle). But less about the plot and if you’re watching the Marx Brothers movies for plot, then you need to: A) Have your head examined and B) Sit back with a cool drink (preferably one that intoxicates you) and just enjoy the sheer humor of these guys. “A Night at the Opera” does for Opera what “A Day at the Races” did for horse racing. Does that make sense? No! Neither did these guys, but still to see the ultimate scene in which they try to cram as many people into one room as they can is just one of the funniest in all of cinema. The movie ranked as one of the Top 15 by the American Film Institute when they did their survey in 2000. Is it a great movie? Yes. Is it funny and will you get enjoyment out of it? Hell yes. Is it the Marx Brothers’ best movie? That depends…if you don’t like Zeppo then yes, otherwise I got more enjoyment out of “Duck Soup” as they were more of the main characters and they tend to be less prominent here. In any case, those fans of this movie and the genius of the Marx Brothers will have no trouble in picking up their latest movie on DVD.

Video: How does it look?

The movie, being shot in the 1930’s, is shown in its original 1.33:1 aspect ratio. As Maltin discusses in his commentary, the movie was shortened to eliminate all references to Italy, and they had no idea how popular the film would be as time went on. This being said, there are several abrupt scenes shown (splices, etc.), but for the most part it’s a pretty good print. “A Night at the Opera” has never really looked better, with Warner holding the reigns we knew that a better transfer was in the works. This shows some of the flaws of movies of the age, but not too many. There’s a bit of aritifacting and some obvious grain on the film, but the black and white transfer looks about as good as we’d expect. A nice job here and certainly worthy of a Marx Brothers film.

Audio: How does it sound?

Mono. Yes, that’s what we can expect of a movie of this age and that’s what we get. Though the very essence of Marx brothers comedy is physical humor, there’s no doubt that dialogue plays an important part. The audio is well preserved here, and on only the rarest of occasions do we get any sort of “drop out” that dates the soundtrack. There’s a bit of a hiss that’s associated with so many movies of the time, but you’ll likely be laughing so hard that it won’t matter (or you won’t hear it). Obviously surround effects aren’t present as are the front channels. We only get one channel of the Marx dialogue, but that’s more than enough to make us laugh over and over again.

Supplements: What are the extras?

As part of the “Marx Brothers Collection”, “A Night at the Opera” comes to us with a few extras. First up is a commentary by film critic Leonard Maltin. Call me crazy, but the commentaries by film critics (Richard Shickel, Roger Ebert and Leonard Maltin) are among the best I’ve heard. They annunciate their words, they seem to know the audience that they’re talking to and they tell very poignant facts about what we’re watching. Add it all up and it’s one of the most informative, intuitive tracks I’ve heard on a DVD. Two featurettes are included in “Remarks on Marx” with Dom DeLuise (and cuddling a bird, no less) telling of the effects of the Marx Brothers on his comedy. It’s more of a retrospective on the Marx Brothers’ career and a must for any fan. A 1961 broadcast of “The Hy Gardner Show” features Groucho as a guest as he talks about his days with the group and the movies they made. It’s dated and Groucho looks nothing like he did in any of the movies and for the life of me I don’t know who in the hell Hy Gardner is, but hey – if this is your thing then we have it here. Also included are two Marx Brothers shorts “Sunday Night at the Trocadero” and “How to Sleep” which won an Academy Award. The original theatrical trailer is also included. “A Night at the Opera” remains one of the Marx Brothers’ best movies and Warner has done it justice, for new fans and old alike; this is living proof that they don’t make ‘em like they used to.

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