Plot: What’s it about?
Landon Carter (Shane West) is a popular, handsome teen who hangs with all the elite people, though that’s not always a good idea. His friends tend to get into trouble at times and since Carter wants their acceptance, he always falls into place with them. But when a prank goes too far and the group is busted for their actions, Carter finds himself alone. He has managed to slide through school on his looks and reputation, but now it is time to pay the piper and that means community service & the like. One of the demands of his punishment includes working on the high school drama production, which is where his life takes some unexpected turns and a relationship is formed that takes him places he’s never even dreamed about. While he and preacher’s daughter Jaime Sullivan (Mandy Moore) have never been friends because of the social system of school, they begin to talk and as time passes, become quite close and discover new things around each corner, about each other and themselves. But is this unlikely pair doomed to fall victim to some unknown circumstance, or is really true love?
I’m not much on these afterschool special kind of movies, but Mandy Moore is a fox & I’m a sucker for teen cinema, and as such, I decided to endure A Walk to Remember. I assumed Moore would be the film’s saving grace, but instead she is the stone around its neck and fails to even deliver in terms of eye candy, a real disappointment. No one else is able to pick up the slack and while the premise is decent if you’re talking about a Lifetime original picture, it fails to hold interest when held up to normal motion picture standards. I’ve seen this film a few times and with different audiences, but each time there were groans when obvious cliches were passed off with serious intentions, or the movie’s hackneyed romance began to blossom. I mean, I don’t even see how the target audience would be entertained by this mess, although some would be dazzled just to see Moore, even with her dismal performance. In the end, unless you are a preteen female with no attention span, you might be better off taking your own life.
It seems as though every flash in the pan musical teen these days has dreams of box office success, with Mandy Moore involved in this case. I know she’s cute and has a special presence to her persona, but let’s face facts, an actress she isn’t. Maybe her skills will improve over time, but for our sake as movie lovers, I can only hope she either changes her mind or chooses her projects with more thought. I mean, I’d be glad to see her sign up with Seduction Cinema and do some work there, but in terms of mainstream cinema, Moore has minimal upside. I think she got this role based on her exposure as a music star, which seems to have been a mistake, since any extra from an afterschool special could have outshone her here. Other films with Moore include Dr. Dolittle 2, Try Seventeen, How to Deal, and The Princess Diaries. The cast also includes Shane West (Dracula 2000, Get Over It), Peter Coyote (Erin Brockovich, Unforgettable), and Daryl Hannah (Grumpy Old Men, The Clan of the Cave Bear).
Video: How does it look?
A Walk to Remember is presented in a 2.35:1 anamorphic widescreen transfer. As should be the case with such a recent release, this transfer looks terrific and shows minimal flaws, though some defects can be seen. But those flaws amount to some small print nicks and minor edge enhancement, so I doubt anyone will be too let down here. The film’s warm color scheme is intact and flesh tones look natural, while contrast is stark and well balanced also, so black levels are accurate throughout. I didn’t expect much here from the visuals, but Warner’s superb transfer really enhances the experience and helps the images to shine.
Audio: How does it sound?
The included Dolby Digital 5.1 track has some nice moments, but on the whole, offers little beyond a basic, solid presentation. The surrounds aren’t used much and when they’re active, the result is usually unimpressive. This is due to the material however, as it simply has little call for dynamic audio and as such, this track is unable to put the surrounds to good use. But the speakers do come to life for the musical soundtrack, which is the most active aspect of the audio here, hands down. The dialogue is clean and clear also, so no real problems arise, though the track is by no means a memorable one. This disc also includes a French language option, as well as subtitles in English, Spanish, and French.
Supplements: What are the extras?
An audio commentary with director Adam Shankman, as well as stars Mandy Moore and Shane West starts us off, which turns out to be a much better session than expected, no doubt about it. The trio discuss the production, the fun times while shooting the film, and even point out some of the mistakes, all while having a jovial, gay old time. Not the kind of track I’d bother with a second time, but for fans of this picture, this is about as good of a track as you could want, a very informative inclusion. A second session features author Nicholas Sparks and screenwriter Karen Janszen, who as you should be able to predict, focus on how the story came about and evolved into the big screen rendition. Although the entire session is talkative, I was most interested in the talk of deleted material, as there was quite a bit trimmed from the movie and of course, none of it is to be found on this disc. This disc also includes a video for Mandy Moore’s Cry, some cast highlights, and the film’s theatrical trailer.