Plot: What’s it about?
Following a brilliant star, three wise men come upon a small, humble manger, where a child was just born. Bearing gifts, they praise the child, and proclaim him to be the son of God. Then they realize their mistake, take back their gifts, and go to the right manger. Sound unusual? Well, that’s the life of Brian. Constantly being the victim of mistaken identity and being in the wrong place at the wrong time, Brian is believed at many times in this film to be the Messiah. But he’s not the Messiah, he’s a naughty boy, at least that’s what his mother says. You might think being thought of in such a high manner would be nice, but remember what they did to Jesus? The things that happen to Brian are hilarious, such as when he acts like a prophet to escape from Pontius Pilate’s palace. He delivers a speech to people near him, but when the coast is clear, he just stops talking. The on lookers assume there is a hidden meaning, and believe he is the Messiah! It’s these type of things that cause Brian’s life to be one big case of mistaken identity. But will Brian suffer the same fate as Jesus, or will he convince the crowds that he’s just a normal guy?
Life of Brian is a Monty Python movie, which instantly equals well written comedy and poking fun at common institutions. While many people think LOB is a film making fun of Christ, but really, other than a sermon Brian attends, Jesus has no role in this film. The film instead focuses it’s humor toward religion as a whole, and how some people will jump at the chance to find a Messiah, no matter how inconsequential the actions/words of the person are. Now religion is a touchy topic, but if you’re secure in your faith, you should have no problem watching a film that questions some basics of faith and religion. This picture is not anti-religion by any means, it’s just a humorous look at what happens when someone is mistaken for Christ. According to historical texts, this type of mistaken identity was fairly common during those times, so the idea is not as outrageous as it might seem. Although, I bet Brian’s story is funnier than any of the real ones. So, don’t believe anything you hear about LOB being a sacrilegious movie, because it’s not.
Now, I’m pretty sure if you’re reading this review that you’re somewhat familiar with the players who make up Monty Python. You should know what type of comedy to expect, so I won’t waste time with describing it, other than saying it is well written and very funny. The actors of Monty Python don’t just have a role within their movies, they usually have almost all the roles in their movies. There’s not a real billing order in this movie, so I’ll just list them, in no particular order. John Cleese (Time Bandits, Fierce Creatures) turns in a couple notable roles in LOB, including a Roman official leading a stoning and a centurion in Pilate’s palace. Cleese is a great comedic actor, and his skills are never better represented than in Monty Python projects, although he has many non Python successes as well. Terry Gilliam, who is better known these days for his directing skills (12 Monkeys, Brazil), plays a rather dim witted jailor, covered in make up effects. Gilliam is my favorite Python, mainly because of his choice of pictures to helm, opting for good material rather than commercially viable movies. His battle with Universal over Brazil is legendary, and can be seen in higher detail in Criterion’s release of Brazil.
Terry Jones, who co-directed Monty Python and the Holy Grail with Gilliam, directs LOB alone. Jones also directed Erik the Viking, Mr. Toad’s Wild Ride, and Monty Python’s The Meaning of Life. Jones also takes a turn in front of the camera, playing Brian’s loud mouthed over bearing mother. You can also see Jones in front of the camera in Jabberwocky and At Her Majesty’s Pleasure. Playing the lead role of Brian is Graham Chapman, who passed away in 1989. Chapman carries his share of this film and then some. I believe him to be the best actor of the troupe, and he proves me right in LOB. His reactions are superb and delivery is perfect. Chapman can also be seen in Yellow Beard and How To Irritate People, as well as the other Python films. Michael Palin (The Missionary, A Fish Called Wanda) takes on some hilarious roles in LOB. He plays Pontius Pilate, complete with a wonderfully funny lisp, as well as a cured leper who is my favorite character in this picture. Rounding out the cast is Eric Idle (European Vacation, Burn Hollywood Burn), who sings “Always Look on the Bright Side of Life” at the film’s closing, while a group of people are being crucified.
If you’re a Monty Python fan, buying this disc is a no brainer. Criterion has made the definitive edition of Life of Brian, and every Python fan should rejoice about this great treatment. While many people overlook LOB in favor of Holy Grail, LOB is a total movie, with a fluid storyline, and steady plot movement. Holy Grail, while extremely funny, and filled with legendary bits, is just a string of skits, which sometimes flow together. Holy Grail is hilarious, but I prefer the complete feel of Life of Brian. I own both films, so I’m not anti-Holy Grail by any means. I do think that Life of Brian is the best film by the Pythons, however they are all great and worth picking up. Non Python fans should rent this one first, as it’s style of humor does not appeal to everyone.
Video: How does it look?
The source material for Life of Brian is not the best, so I did not expect miracles from this transfer. I was very suprised though, the video looks great, light years beyond every release, although I believe the print is the same one used for the Criterion laserdisc. Colors are very rich and lush, and black levels are right on target. The Anchor Bay release of LOB was lacking in the black levels, but Criterion fixed those issues with this release. Again, don’t expect a pristine print, because the source material was lacking, to say the least. Also, I almost forgot, the transfer is enhanced for widescreen televisions!
Audio: How does it sound?
With the audio, the way the audio was captured during the making of the film makes it hard to get a great mix. While dialogue is usually crisp and audible, there are some segments where it’s almost impossible to pick up what the characters are saying. The soundtrack on the other hand is always good, sometimes making it difficult to hear the dialogue. But, I cannot blame Criterion for this, because I know the other formats had the same problems.
Supplements: What are the extras?
This is what experts call a lot of extras. You get not one, but two exclusive commentaries. The first features Terry Gilliam, Terry Jones, and Eric Idle, the second has John Cleese and Michael Palin. It’s very interesting to hear the troupe comment on their own work, and you should listen to them both. Criterion included five rare deleted scenes, also with commentary, which are a great addition, although you can see why they were left out. A very good documentary is also packed on the disc, which is one of the better ones I have seen, filled with funny stories and surely worth a watch, maybe a few times. You also get the original theatrical trailer and four original radio spots. Wowsers, what a deal!
