Plot: What’s it about?
Bill Gambini (Ralph Macchio) and Stan Rothenstein (Mitchell Whitfield) were just taking a trip through the south when they became victims of circumstance. Well, more like a series of circumstances to be sure, but suffice it to say they find themselves in deep trouble before they know what hits them. As the two friends pass through Alabama, the bad times roll and after a series of strange and unlucky events the two are arrested on charges of first degree murder. Of course the two are totally innocent of the charges, but with such unusual circumstances they are forced to go to trial. With no other options since the two have no money, Bill informs Stan that he has a lawyer in his family who could help them out. So soon after Vinny Gambini (Joe Pesci) and his girlfriend Mona Lisa Vito (Marisa Tomei) arrive on the scene, but Vinny isn’t exactly a lawyer as of yet since he needs to pass the bar exam. His fast talk and strange leather attire don’t blend in the Alabama atmosphere to be sure, but he has to come through for these boys or they’ll end up with the death penalty on their slates.
This has become somewhat of a classic comedy over the years and I have to agree that is a fantastically funny movie. This is of course a fish out of water storyline, so you need that fish to be a good one to make the movie work and Joe Pesci is excellent in this one. The interactions between the urban Vinny and the rural locals is hilarious and makes me laugh no matter how times I watch this movie. While many scenes are memorable and funny, I am partial to the “mud in the tires” sequence which is brief but very humorous. The writing is very good throughout and the dialogue shines at all times, but if you’re easily upset by profanity this isn’t a movie you should look into. But come on now, did you really expect Pesci to play a character like this and not spout the “f” word like there’s no tomorrow? I think fans of comedies of all varieties will find a lot to like with this movie and fans of Pesci will not want to miss his performance here. Fox has issued a wonderful disc for this terrific film, so I am pleased to be able to recommend a purchase. But if you haven’t seen this movie and love comedies, then you’ll want to rent or purchase this one right away!
This film was directed by Jonathan Lynn, who is no stranger to delivering some terrific comedies during his career. While this is a very funny movie to be sure I don’t think Lynn’s basic style adds much to the overall impact. I suppose the “hands off” style used by Lynn makes sure the comedy is the focus though, which I think is a good idea for a movie like this. The camera never takes flashy pans or similar steps, but this isn’t a bad thing in the least. Lynn isn’t a stylish director in any way, but I can’t help but love most of his movies. If you want to see more of Lynn’s films I recommend The Whole Nine Yards, Trial and Error, The Distinguished Gentleman, Sgt. Bilko, and Greedy. The lead in this film is played by Joe Pesci (Goodfellas, Casino) and no one else could have played this role as good as he does. This is Pesci’s finest comedic performance in my opinion and all fans of his work should check this one out. Marisa Tomei (Slums Of Beverly Hills, Four Rooms) is also excellent in her role and she even took home a Best Supporting Actress Oscar for her efforts. The supporting cast also includes Ralph Macchio (The Karate Kid, The Outsiders), Fred Gwynne (Tv’s The Munsters, Pet Sematary), Lane Smith (Red Dawn, Son in Law), and Mitchell Whitfield (Lost & Found).
Video: How does it look?
My Cousin Vinny is presented in a 1.85:1 anamorphic widescreen transfer. This is the film’s first widescreen release and I am very pleased with the results, especially the choice to issue an anamorphic transfer. The colors are bold and show no traces of smears or bleeds, while flesh tones emerge in natural hues at all times. The contrast is also very sharp, with high visible detail level and accurate shadow layering. The source print used looks clean and free from distortion, but I did notice some minor compression problems.
Audio: How does it sound?
This film is not an audio powerhouse by any means, so the included 2.0 track is more than adequate. The surrounds are used by the musical score for the most part, but I did hear some subtle use in there also. The majority of the audio is dialogue and this mix handles the vocals very well, no volume issues arise and clarity is high. This isn’t the most active or immersive track, but it more than gets the job done.
Supplements: What are the extras?
An audio commentary with director Jonathan Lynn has been included and though it has some serious gaps, it still warrants a spin for fans wanting more information. Lynn discusses some behind the scenes moments and such, but never scratches the surface on much more than that. You’ll also find two theatrical trailers and a pair of television spots to round out the extras.
