Plot: What’s it about?
While some may argue that Bridget Jones’s Diary is merely an updated version of the classic, Pride and Prejudice; others argue that it may be another light-hearted English comedy. I suppose both are right. More and more these days, we’re seeing our leading men play the role of the antagonist. Most recently Denzel Washington in “Training Day”, Harrison Ford in “What Lies Beneath”, Keanu Reeves in “The Watcher” and Hugh Grant in this fine film. No longer do we have to rely on the Alan Rickman’s of the world to portray the “bad guy”…no sir. Of course, Hugh Grant plays a much more likeable “bad guy” than all of the above names, but he’s the greater of the two evils in my honest opinion. A note about Renee Zellweger for a moment…I have not really not had an opinion on this actress until I saw this movie. In Hollywood these days, another pretty face is just as common as anything else. Sure, she had a good role in Jerry Maguire, but could she stretch her acting skills and become a convincing Brit (keep in mind, she’s from Texas)? In this reviewer’s opinion…yes. I’ll get into it later, but Director Sarah Maguire does comment on her choice of Zellweger for the role. Additonally, all involved did know the consequences when they decided to go with her as the choice for Bridget (as opposed to a classical English actress–you know–Gwyneth Paltrow)!
Bridget has just had a very long night. It’s New Year’s Day and she has once again awakened to a throbbing head, clothes everywhere and an ashtray full of cigarette butts. She, like so many other people, decides to make a resolution to change her life around. She vows to keep a diary of all her daily activites and to tell the complete truth, no matter what the consequences. Add to this the fact that her boss at work, Daniel Cleaver (Hugh Grant) starts flirting with her via email. Bridget is at that age when women start to feel their biological clocks ticking away and takes advantage of her current situation. She starts to sleep with her boss. Add to the formula the fact that she has a very nasty tendency to make a complete fool of herself while speaking in public. It’s a scene that is repeated a few times through the movie, but never seems to lose it’s humour (intentional “ou” added to give that realistic British effect). Aside from her little group of friends, who seem to be a bad influence on her by going out and drinking all of the time, Bridget keeps running into Mark Darcy (Colin Firth). Bridget has known Mark since they were children, and they don’t quite know what to think of each other. Mark seems to look down his nose at her and thinks she “smokes like a chimney and drinks like a fish”. Still, there’s an unbridled attraction between the two that neither can ignore. It should be noted that in the recent British mini-series, “Pride and Prejudice”, Colin Firth played the role of Daniel Cleaver (Hugh Grant’s character), and while the casting was a bit odd, it did seem to work out for this movie.
Now we can sort of see the writing on the wall here…will Bridget stay with Daniel or go with Mark? It doesn’t help matters that Mark and Daniel have a very strong dislike for each other. Add to the situation that Bridget finds out that Daniel is having an affair and is to be married…all seems lost for Bridget. Hopefully I haven’t given too much away here as I tend to get carried away with movies that I really like. Odds are that if you’re a fan of movies of this genre, “Sliding Doors”, “Me, Myself I” and “Shakespeare in Love” all come to mind, then I really don’t think you’ll have much to regret by giving Bridget Jones’s Diary a spin. Personally, I waited until it came to the dollar theater (and only a few weeks later is released on DVD) and was kicking myself for not seeing it earlier. While the English humour (again with the “ou”) is a little hard to get at times, unless you’re very familiar with it, the movie if fresh, funny and entertaining. I almost forgot to mention, look for a heavier Renee Zellweger as well. She put on nearly 20 pounds for her role as Bridget. All things considered, I’d strongly recommend as a “buy”.
Video: How does it look?
It’s hard to compete with Disney when it comes to day and date movies on DVD. Though Bridget Jones’s Diary does have it’s flaws, it’s still a very nice-looking transfer that’s sure to please. A bit of edge enhancement can be seen in spots, albeit not that many. For the most part, the 2.35:1 (though the back of the box mislabels it as 1.85:1) image looks brilliantly bright, clean and vivid. It’s free of any errors (and should be, considering how new of movie this is) that plague some movies (artifacting, dirty print…), even new ones. The colors are saturated, but it give the movie a nice warmer feel to it. I don’t know…I can’t really explain it. I was a bit surprised to find that this movie had such a wide scope (2.35:1 as opposed to the more traditional 1.85:1). First time director Sarah Maguire used this wider range as most first time directors use the “flatter” 1.85:1 image. Still, the aspect ratio isn’t a factor when it comes to how this movie looks. All in all, it could have looked a bit better, if only a little, but if you complain about the movie–it shouldn’t be how the picture looks.
Audio: How does it sound?
Featuring a Dolby Digital 5.1 soundtrack, the presentation is just a bit above average. While the score is very quirky and catchy to the ears, the audio won’t blow you away. Then again…it’s not supposed to. The soundtrack by Patrick Doyle (which I referred to as “quirky and catchy” in the last sentence) radiates throughout the speakers, but doesn’t go to the point of being too loud. Renee Zellweger narrates the story (in her flawless British accent) that sounds very good as well. The spoken dialogue through the movie has no flaws at all. No major complaints here, it sounds quite good.
Supplements: What are the extras?
While not a full-fledged “Special Edition”, we are treated to a nice assortment of extras. Being a Buena Vista title, you might not expect that much in terms of supplemental features, but this seems to be an exception to their normal rule. First up is a screen-specific audio commentary by Director Sarah Maguire. For only one person on the track, she manages to keep talking for nearly the whole time. Though most of her insights tend to deal with plot and she lets us in on some of Renee Zellweger’s secrets. She does tend to avoid the “Rob Reiner” syndrome (getting caught up in her own work and just mumbling an occasional “Oh…yes” here and there). Overall, it’s one of the better tracks I’ve heard. Next up is a featurette that clocks in just under ten minutes. It’s your standard featurette here, but there are some interviews with a significantly more slender Renee Zellweger , Hugh Grant, Colin Firth and Director Sarah Maguire. We do learn of the origins of the plot (Pride and Prejudice by Jane Austen) as well as some of the details of the shoot. Very interesting, but certainly not something that you’ll watch over and over again. Still included are two music videos, the first is Shelby Lynne’s “Killin’ Kind” and the second is Gabrielle’s “Out of Reach.” Both are shown in non-anamorphic video and are mildly entertaining. Another nice feature is nearly twenty pages of the original text of Bridget Jones’s Diary. Much like Memento, they are very interesting and gives you a good insight to the origins of the movie (the movie, not the premise). Lastly, the seven deleted scenes are shown in anamorphic widscreen and can be played either one at a time or one continuously. I feel most should have been left in, especially the humourous (“ou”) few about Bridget’s thighs! Several other trailers are shown, along with a promo for the soundtrack to the movie. All in all, I really enjoyed this film. The supplements were robust enough to satisfy me and most others I would assume. I can say that it’s a disc that I’ll watch again. Recommended.
If youï¿½re wondering whatï¿½s on the ï¿½newï¿½ version, all of the previous supplements are ported over. In addition, there are some more features added (did they do it because we wanted more supplements orï¿½because the sequel is coming out soon? I wonderï¿½). ï¿½The Bridget Phenomenonï¿½ is a look at the success of the movie, and of course has ï¿½exclusiveï¿½ scenes from the sequel. ï¿½The Young and the Matelessï¿½ explores a look at the 30-something singles out there (of which Iï¿½m one) and shows the different methods and ways that folks go about just to get a date. Odd, that. ï¿½Portrait of a Makeup Artistï¿½ has the Makeup Artist from both movies telling how he did their makeup to reflect their moods and show their personality, etc. I didnï¿½t learn a whole lot here, but it did make sense. Four TV spots from around the globe are included as is the trailer for the sequel, ï¿½Bridget Jones: The Edge of Reasonï¿½. There are some text-based reviews of the movie (by Roger Ebert among others) and ï¿½A Guide to British Britishismsï¿½ which is very similar to the ï¿½Cockney to Englishï¿½ feature on ï¿½Lock, Stock and Two Smoking Barrelsï¿½ in that they take British sayings and words and give the English equivalent. All in all, if you own the first disc, I donï¿½t see a need to upgrade, but if you donï¿½t own it ï¿½ this is the one to get.